The experience of playing freely during childhood must imprint itself indelibly in one’s psyche. So many artists and writers who grew up in small towns across America seem to have been fueled by these long lazy periods of spontaneity as children. I put Jill Brantley among those so endowed. She was fortunate to live in a small town in New England. No stoplights. Church steeples rising above oaks and maples. The whole nine yards. She remembers walking to school, riding bikes in the dark on summer nights, roaming with friends from yard to yard inventing games as they went along. Imagination sparking imagination. And a mother ringing a special bell at dusk.
Read moreAina Nergaard-Nammack: The Language of Music and Color
A child of a Norwegian father and a Spanish mother, Aina spent her early years toggling between school in the frigid north to hot summers in the heart of Spain -- a life that was bound to teach her many languages. Five to be exact. Add to that sum Aina's study of various "languages" in the visual arts. First with her mother on painting excursions to the "White Villages" in the south of Spain, practicing in her mother's studio in Seville, and then being instructed formally in art school where she was required to copy the Old Masters, including Velasquez, Vermeer and Goya.
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