Rosemary Luckett has come full circle this April in her Touchstone solo exhibition Earth House. She continues with a circle of life theme that she started in a Round River series some years ago, probing relationships between the earth, its living creatures and humankind. Through images of the seen, she points to - hints at - what is often unseen. "The apparent visible and the hidden visible... in nature are never separated," wrote Magritte, an artist she admires. The fun in looking at her works is to discover both visible and related hidden.
Read moreRosemary Luckett: Uncovering the Unseen
Rosemary Luckett has been on good terms with the earth since she was a young girl weeding sugar beets and caring for the animals on her family’s farm in the desert plateau of south central Idaho. These earliest experiences of taking care of the environment that then, in turn, took care of her, were the seeds of Rosemary’s sense of this relationship as vital and mutual. Over time, she has developed a visual language--plastic ducky's, bones, tree forms, maps, and birds to express her love and worry for the earth through her artwork. The techniques used varies with what she is exploring. Sometimes collage. Sometimes sculpture. And more recently photography.
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