The River People
Makda Kibour spent a lot of time studying indigenous tribes of the Omo Valley of Ethiopia. After a long and difficult journey, she was able to see through her own eyes how people unaffected by the outside world rely solely on nature to fulfill their wants and needs. Astounded by their way of life, especially of the Surma and Mursi tribes who share the use of body painting and elaborate decorations—all of which derive from the nature that surrounds them.
In her own words Kibour describes: “Vibrant berries, crushed rocks, mud, plants, and flowers are used to adorn their black, slender and strikingly beautiful bodies. Body piercing symbolizes their life’s different events and class status. The flesh becomes a raw material on which decorative fantasies can be played out. If in reality one has to find a reference for this art form, it would have to be in its mimicry of nature and animals.’’
Through these series Makda Kibour found her voice - inspired by the indigenous people that led her to a stronger connection to her birthplace. The use of thick layers of acrylic paint and liquid ink create a drip effect and highlight soft delicate lines. Oil pastels, acrylic spray paint and collage are added to achieve the desired results. Focusing primarily on the presentation of their bodies and facial expressions; evoking a gutsy, natural, innocent and mysterious feel all at the same time. Kibour utilizes abstract painting as visual language to shape and form color and line.