Intimate etchings and lithographs explore the gesture and essence of trees in May 2019 show, Branching Out.
Read moreCarol Moore: A Printmaker's Response to the Natural World
Printmaker and Touchstone Foundation for the Arts Fellow Carol Moore presents her solo exhibition during the month of May 2018. This accumulation of work reflect's Carol's long standing exploration of nature in which she searches for a personal connection with the plant specimens that she collects and manipulates. As a child she always felt at home in nature, she would spend long hours in the woods playing in trees, foraging for “natural supplies” or crushing rocks under bushes. As an adult she continues taking refuge in the natural world and reveals her encounters and imaginings in her original lithographs and intaglio prints.
Read more“Hands On”: Touchstone Foundation for the Arts Fellows Make their Mark on Touchstone Gallery in 2017
This year the Touchstone Gallery artist members circles includes four Touchstone Foundation for the Arts-sponsored Fellowship members, two of whom will solo in June 2017. The four are Lionel Daniels, Susi Cora, Jo Ann Block, and Carol Moore. Each is working in a different medium and each is working towards a unique goal. Their work can be seen in each monthly Touchstone exhibit.
Read moreCharles St. Charles: Coming Face to Face with Creativity
Charles St. Charles toggles between working as a lawyer and expressing his creativity through art and the improv stage. In other words, he lives life to the fullest, a Renaissance man with a broad range of intellectual and artistic interests.
Read moreOn Being Nomadic: Gale Wallar
For Gale, who was born into a military family, being nomadic was the norm. That, and a rich exposure to art, architecture and history. Art is the course that Gale set for herself as a child and she has stuck to it during some circuitous turns and long journeys. After achieving a BFA in painting and printmaking, she freelanced in Washington D.C. and some of her political cartoons were published in the Washington Post.
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