Susi Cora’s May 2018 show Highwire at the Touchstone Gallery at 901 New York Avenue, Washington DC is a study of the impact of memory on one’s physical presence. The show features ceramic figurative and coneptual work, and composite photography.
Read more“Hands On”: Touchstone Foundation for the Arts Fellows Make their Mark on Touchstone Gallery in 2017
This year the Touchstone Gallery artist members circles includes four Touchstone Foundation for the Arts-sponsored Fellowship members, two of whom will solo in June 2017. The four are Lionel Daniels, Susi Cora, Jo Ann Block, and Carol Moore. Each is working in a different medium and each is working towards a unique goal. Their work can be seen in each monthly Touchstone exhibit.
Read moreRima Schulkind: Dancing With Change
Rima Schulkind, a native of New York City, came to Washington DC at age 15 and has remained ever since. In 1972 she obtained a sociology degree before realizing the profession was not for her. Wondering what to do next, she “almost accidently took a ceramics class with the worst teacher in the world.” Rima recalls. “But the clay felt heavenly to my hands, and I knew I wanted to make things with it.” Serendipity #1.
Read moreBill Mould : The Art of Allusion
Bill is a ceramic sculptor — one who works at taking clay from the earth and transforming it into sculptures, which recall ancient myths. The clay, heavy to begin with, becomes light and intensely fragile as he works with it.
Read moreWheeler, Shaw, Luckett, Frazier, Brotman: Creating in 3-Dimensions
Touchstone sculptors Wheeler, Shaw, Luckett, Frazier and Brotman transform earthen materials and detritus into elegant sculptural forms using fire, colorants, adhesives, carving tools and imaginations keyed into limitless possibilities of three dimensional construction. They share a love of materials, storytelling, and an internal inclination to build--to transform one form into another form.
Read moreUncovering the Magic of the Universe: Bill Mould
Bill calls himself a ceramic sculptor -- one who works at taking clay from the earth and transforming it into sculptures, which recall ancient myths. The clay, heavy to begin with, becomes light and intensely fragile as he works with it. He makes art in order to stir new ways of thinking and experiencing the world both for himself and for those who view the finished pieces.
Read moreOut of Chaos: Rosemary Luckett
Whether an artist's studio is neat as a pin or heaped full of brushes, tools, clay or wood, disorder characterizes the creative process. A chaotic jumble of ideas spill out of the brain and become organized in drawn or painted forms. Tubes of color sort themselves out, then are squeezed onto the palette in a jumble of mixed hues. A teapot spout, in a box of cast-offs, offers itself to the sculptor as the beginning of a bird with a long neck. A dream works its way to the conscious surface, suggesting a vision that emerges in material form from a chunk of clay.
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