Argentinian-born Claudia Samper reminisces on her early life in Buenos Aires. “As a youngster I was always drawing and creating things with my hands,” she recalls. “By the time I entered the university I didn't have many choices in Buenos Aires except for traditional career paths--medicine, education, law, etc. We of course did have a wonderful art institute, but it never crossed my mind to pursue art then.” The one track that suited her the most was architecture. After completing that 6-year degree program, she had acquired a solid base in both the technical and the art spheres of the curriculum.
Read moreMcCain McMurray: From Architectural Drawings to Geometric Paintings
Malleability is a relative term depending on the material a person is trying to shape. For architects, wood, metal, masonry and glass are molded as necessary to build a structure inside and out. McCain McMurray worked with these materials during his 37-year career as an architect designing a variety of residential and commercial projects. It’s no surprise that he was drawn to architecture, because he started constructing things when he was a child growing up in North Carolina. Equipped with tools and wood scraps, he built many a tree house.
Read moreGail Vogels: Exploring and Transforming
It's not surprising that Gail Vogels was inspired by the novel All the Light We Cannot See by Anthony Doerr when she set out to construct her new multi-media art works. She's been interested in literature most of her life, studying it in college and coming away with a bachelor's degree in the field. "That book was a launching point for me. I wanted to explore micro and macro themes happening simultaneously--those natural forces and choices that make us human beings. Using mixed media elements -instead of painting - I tried to figure out how to make various themes intersect on a picture plane. Plus, using scissors and glue is fun. The process is old school and the experience evokes your childhood."
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