On Tuesday, August 20, 2019, Steven M. Alderton passed away at the age of 67. Steve was born in Laona, WI to Irene (Zahringer) and Francis Alderton. Steve was a talented and passionate artist and a cherished member of Touchstone Gallery in Washington, D.C. for over 20 years.
Read moreMakda Kibour: Raw Paintings
Makda Kibour, a quiet gentle woman who immigrated to the United States from Ethiopia by way of Zambia, has under gone many transformations on her way to becoming an artist. After reaching Pennsylvania, she become part of a Mennonite family for five years, learning to navigate that religion’s discipline of “the simple life." This austere Bible-based faith was quite a contrast to ancient traditional rituals of the Greek Orthodox Church she grew up knowing in Ethiopia. Her artistic sensibilities responded to the expert woodworking and hand sewn quilts pieced with deep reds, blues and other dark colors that were part of the Mennonite culture.
Read moreElaine Florimonte: Layering and Balancing
Elaine Florimonte is drawn to the simplicity and consistency of the horizon, specifically the proportions of sky, water and ground in paintings comprising her solo exhibition, The Pursuit of Balance at Touchstone Gallery, February 2018. Through her use of acrylic media and collage, she creates landscape images in an effort to find balance in an ever shifting world.
Read morePatricia Williams: Ordered Complexities
“Both science and art have to do with ordered complexity.” –L. L. Whyte, 1957
My September 2017 solo show was originally intended to be an abstract landscape series, but it turned into an homage to math and science. This happened because the people who decide such things declared March 14, 2015 to be the official pi (π) day. (Pi is the ratio of the circumference of a circle to its diameter and always equals 3.14159265359….) I met my husband Andy in engineering school, and while neither of us claims any particular STEM skills at this point in our lives, we had a vigorous discussion of this important issue over breakfast one morning, and we vigorously dissented. In our opinion, the official pi day should have been March 14, 2016. That’s because 2015 is truncated, and we believe it more appropriate to round up to 2016.
Read moreJanathel Shaw: Portraits of Courage
Janathel Shaw’s April solo show, SOLIDAREity! is a reflection upon the status of Blacks in America: a series of figurative pieces and portraits of men, women and children looking boldly into the present and the future. Inspiration for this new series derives from the lost souls, activists and community of people who are part and parcel of the American landscape—people who enrich that landscape in both hidden and overt ways. The portraits incorporate texture, rich deep lines and are anchored in contrast. Several are rooted in a defiant solidarity of consciousness, soulfulness, and personal voice. Some are dark in tone in recognition of ongoing struggles.
Read moreDavid Alfuth: Is This Art Really 3-D?
Are David Alfuth’s new sculptural collage works really 3-D? Or is the architectural subject matter just fooling our eyes? To find out, you’ll have to see his new surreal collage works, Perspective, at Touchstone Gallery between October 5—30, 2016.
Read morePete McCutchen: Photographing an Alien Landscape
Photographing an Alien Landscape: an interview between James Madison University student and budding photographer Amanda Marie Harner and Pete McCutchen concerning his solo exhibition The Thermal Zone showing at Touchstone Gallery August 31-October 2, 2016.
Read moreThe Abstract Icons of Paula Lantz
Paula Lantz always watches people as she goes about her day--in a restaurant, on the Metro, in a park or grocery store. Or at the mall. These folks aren’t doing much; just going about the business of living, but Paula wonders what each one is thinking or feeling, and makes a mental note of her guesses.
Read moreTré: Photographer of Dreams and Visions
Tré may not have been born with a silver spoon, but she did come into the world clutching a golden paint brush. Certainly, her creative eye was astute from the get go. At age two, after pondering the elaborate wall paper in her parent’s bedroom with a critical eye, Tré decided to make it better. She found her father's pen and drew balloons with long wavy strings directly on the wallpaper. Rather than scolding her, Tré 's mother recognized her daughter's precocious bent and spirited her to the art store where she picked out her own art supplies.
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