Elaine Florimonte is drawn to the simplicity and consistency of the horizon, specifically the proportions of sky, water and ground in paintings comprising her solo exhibition, The Pursuit of Balance at Touchstone Gallery, February 2018. Through her use of acrylic media and collage, she creates landscape images in an effort to find balance in an ever shifting world.
Read moreBD Richardson: Repetition, Pattern and Form--From Intimate To Immense
In what turned out to be a prescient decision, BD Richardson, fresh from earning a master’s degree from American University, began a habit of carrying a camera everywhere she went. Beginning with a trip to China as part of a women’s press group in 1980, she captured bits and pieces of that huge country just prior to its national efforts to modernize. After that, no place in the world was exempt from her restless eye: Paris, South America, North America’s heartland with its aging buildings and big skies, and coastal villages replete with fishing boats and seamen. Lately she has focused her camera up close on plant forms turning their growth patterns into mandalas.
Read moreJeanne Garant: Parallel Paintings
Touchstone oil painter Jeanne Garant paints abstractly. For a painter like Jeanne, abstract means to focus on a particular shape and color noticed at any given moment and then to discard the rest. She draws from the jumble of life rather than trying to capture it all in a photographic or three-dimensional way. Garant's attitude in creating the flat or one-perspective paintings, 275 Stripes, mirrors that of New England painter Milton Avery. “I try to construct a picture in which shapes, spaces, colors, form a set of unique relationships, independent of any subject matter. At the same time I try to capture and translate the excitement and emotion aroused in me by the impact with the original idea.”
Read moreLina Alattar: The Unscripted Experience of Painting
“Abstract work has its own way of explaining itself,” says Lina Alattar, an abstract painter at Touchstone Gallery who works in acrylics on canvas. To understand how her paintings speak, she tunes into each one by being consciously aware and open. “I just respond to the marks, because it’s the experience of painting that drives the painting.” Knowing that nothing is scripted opens the door to tolerance for “accidents” that happen during the painting process. For Lina, these unexpected happenings in the creative process preempt any preconceived ideas. Each one shows her the possibility of going in a different direction, a road less traveled perhaps. American contemporary painter Helen Frankenthaler summed it up saying, “You have to know how to use the accident, how to recognize it, how to control it, or ways to eliminate it so that the whole surface looks complete and born all at once.”
Read moreLinda Bankerd: A Delicate Balance
Riding a bike the way Linda does takes a lot of exertion. That she burns calories as she whizzes through the landscape there is no doubt. But what she gains is more subtle. Forms blur their way into her brain, are stored there and often make an appearance in her abstract paintings. Likewise everyday colorful home objects and special rooms in the interior of her home, also penetrate her psyche and accumulate there until called upon when she faces a new blank canvas. With brush in hand and acrylic paints at the ready, those stockpiled sensations emerge and turn into colorful complex shapes and forms.
Read moreLeslie Johnston Journeys to Sacred Spaces and Places
Growing up in the Mile High City with the mountains at her back Leslie Johnston developed an affinity for high places and the beauty of the mountains. As a kid she spent a lot of time out of doors observing wildlife and the colors in a world that would call her again and again to seek out natural wonders in high places.
Read moreJanet Wheeler: Dreaming the Circle of Life
Janet Wheeler grew up in Dutchess County, New York, a place once inhabited by native Wappinger peoples before the Anglo-Dutch settled there in the 1600's. Although Janet had no contact with those indigenous peoples, the wildness of the area and perhaps some Native dreams eventually worked their way into her psyche to be expressed in sculptural form. As a kid Janet loved exploring the forest and making art. As an adult, after obtaining her art degree from Stanford, she and her husband moved to Switzerland and then to Ithaca, New York. Home again she again "went wild" exploring the 30 foot waterfalls, pools and lakes in the natural world that called to her.
Read more