McCain McMurray: Stained Paintings

Think about diving into  the waters of the Caribbean.  Imagine feeling the sensations of being under and in the water off St. Bart’s, St. Johns or Martinique.  Cooling blues and greens float with muted reds, yellows or oranges.  Then visit the newest paintings by McCain McMurray in his solo exhibit Immersion at Touchstone Gallery during the month of July.  You’ll see slices of the Caribbean in his long vertical paintings—painted essays defining the essence of this watery space and the experience of exploring life in it.

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Guest Artists: John Blee and Dee Levinson

Washington, DC, artist Dee Levinson learned at an early age to collage imagery and colors together.  As a child she began by pasting small museum art reproductions into little booklets her mother provided.  This seemingly inconsequential activity instilled in Levinson the notion that one could mix just about anything together to make a piece of art.  Today she does this “collaging” by mixing classical forms painted in a linear manner with highly saturated colors reminiscent of early 20th century German Expressionists.

John Blee, a Washington DC artist, explores new spatial and emotional dimensions in Orchard Suite, his latest series of acrylic paintings on exhibit at Touchstone Gallery.  While most of his works vibrate with the intense spring blossom hues that are signature to his palette, several other paintings offer  deeper, nocturnal shades, reflecting inverse color themes. Playful geometries activate abstract, luminous sky-and-earth compositions and dance with one another to create an unlikely balance and playfulness.  The effect in the viewer is usually an uplifted spirit one might call joie de vivre.

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Figure 8 plus 1 (Part 1)

Rimpo’s fascination with people continues today and is reflected in her figurative work. Her semi-abstract method of working results in portraits that are about a mood, an everyday activity, or a way of life, rather than detailed portraiture. She uses a variety of textural techniques in her paintings, but only uses a technique when she believes it enhances the story. In this exhibit you will meet people Rimpo saw when traveling within the United States and in Guatemala. In each case something grabbed her attention and made Rimpo feel she just had to tell the story. Can you find a story in her paintings?

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