It’s been said that there are about 34 towns in 25 states named Springfield. Five of them are in Wisconsin and at least one is in Massachusetts. The latter is singular, because April Rimpo grew up there close to her grandparent’s home where paintings made by her grandfather graced the walls. When April drew pictures as a child, copying cartoon figures and exploring what the pencil could do, she received positive feedback from the family and teachers.
Read more“Hands On”: Touchstone Foundation for the Arts Fellows Make their Mark on Touchstone Gallery in 2017
This year the Touchstone Gallery artist members circles includes four Touchstone Foundation for the Arts-sponsored Fellowship members, two of whom will solo in June 2017. The four are Lionel Daniels, Susi Cora, Jo Ann Block, and Carol Moore. Each is working in a different medium and each is working towards a unique goal. Their work can be seen in each monthly Touchstone exhibit.
Read moreMary Ott: The Pull of Metallics
Mary Ott’s February solo exhibit “Metallics: Paintings and Prints” at Touchstone Gallery features artwork that includes copper, silver and gold-colored paints and inks. Mary’s techniques, whether on a smooth canvas base or a unique and textured paper, result in images of nature that seem influenced by the Zen of Japanese art, an art aimed at uncovering the essence of the object under scrutiny. In Mary’s work, grasses are singled out and isolated from complexities of a natural biosphere; then presented in a simplified space, elucidating the purity of seemingly simple life forms--forms often forgotten in our contemporary rough-and-tumble mechanical world.
Read moreSteve Alderton’s Fleeting Memories
Steve Alderton, in his third series “Memoryscapes: Blurry Lines III,” continues an exploration of landscape memories as viewed through the prism of time. In this final component, Alderton pushes his works until they become abstract and the focus is contemplative in nature. His acrylic paintings describe landscape qualities that are “felt” rather than defined as specific representational scenes our eyes see in the real world of land, sea or sky.
Read moreElaine Florimonte: Painting Layered Metaphors
Elaine Florimonte’s day often starts out over coffee in the morning while she touches base with some of her high school art students. They come in early to talk about the parallels between art and life and what to do when something goes wrong in a painting—philosophical stuff. “It’s a privilege to be present in their lives at these moments when 15 to 18-year olds are forming their identities,” she muses, “and I stay connected to about four or five each year, following their progress through college.” In the classroom Elaine teaches techniques and various media while coaching them through the standard processes of making art. Sometimes she picks up the brush and paints on her own canvas to get a point across, a technique she learned from one of her own teachers during her high school days. It was this particular teaching model that convinced her to study art and then become an art teacher herself.
Read moreJill Brantley: Creating Fresh Surroundings
The experience of playing freely during childhood must imprint itself indelibly in one’s psyche. So many artists and writers who grew up in small towns across America seem to have been fueled by these long lazy periods of spontaneity as children. I put Jill Brantley among those so endowed. She was fortunate to live in a small town in New England. No stoplights. Church steeples rising above oaks and maples. The whole nine yards. She remembers walking to school, riding bikes in the dark on summer nights, roaming with friends from yard to yard inventing games as they went along. Imagination sparking imagination. And a mother ringing a special bell at dusk.
Read moreKate McConnell: Capturing Color in the Landscape
How does the artist paint the landscape while, at the same time, paint from the “deeps” of the soul? Painter Emily Carr posed that question to herself as she painted alone in the forests of British Columbia sometime in the 1930’s. “What do I want to express? ... The arrangement, the design, colour, shape, depth, light, space, mood, movement, balance, not one or all of these fills the bill. There is something additional, a breath that draws your breath into its breathing, a heartbeat that pounds on yours, a recognition of the oneness of all things,” she writes in her journal.
Read moreGale Wallar Paints Avenues and Alps
Gale Wallar’s exactitude in describing what she sees around her is remarkable. Through the language of oil paint she creates compelling vignettes that put the viewer in the scene she is describing, as though present on the street in front of a row of buildings that she visited in one of her many years of travel. At some point, however, the viewer comes to the realization that the colors may be fresher and the perspective condensed. Wallar images the “real,” but, she remarks, her viewpoint “conveys a subjective reality affected by time and space.” In other words, the painted images may appear photographic, but subliminal qualities influence images in unexpected and compelling ways. Look for this in her attention to detail.
Read moreDavid Alfuth: Is This Art Really 3-D?
Are David Alfuth’s new sculptural collage works really 3-D? Or is the architectural subject matter just fooling our eyes? To find out, you’ll have to see his new surreal collage works, Perspective, at Touchstone Gallery between October 5—30, 2016.
Read morePete McCutchen: Photographing an Alien Landscape
Photographing an Alien Landscape: an interview between James Madison University student and budding photographer Amanda Marie Harner and Pete McCutchen concerning his solo exhibition The Thermal Zone showing at Touchstone Gallery August 31-October 2, 2016.
Read moreJudy Giuliani: Creating Structure and Spirit through Color
A plethora of sights and sounds like these greeted Judy Giuliani in the far-off places where her military families were assigned. First with her parents in the Navy and then with her husband in the Air Force. All this traveling meant that she lived in 36 different locations in 36 years! She could have lamented the fact that she was missing out on a typical American childhood. Instead, she chose to enjoy and absorb what each new place had to offer, eagerly observing the art and traditions of other cultures. Over time distinctive details were stored away in her mind’s eye until the urge to take up the brush lead her to include them in paintings.
Read moreArt as Politics: American Artists Describe the State of the Union
Touchstone Gallery’s August 2016 national juried exhibit Art as Politics reflects the “state of the union” as seen through the eyes of artists who don’t often get asked for their views on anything. The 250 artists who answered the call to make work about the tumultuous 2016 election cycle didn’t disappoint juror Jayme McClellan. They submitted 400 boisterous pieces of art. McClellan chose 127 works by 90 artists. It's an all-media show of wall pieces, video installations and sculpture.
Read moreLina Alattar: The Unscripted Experience of Painting
“Abstract work has its own way of explaining itself,” says Lina Alattar, an abstract painter at Touchstone Gallery who works in acrylics on canvas. To understand how her paintings speak, she tunes into each one by being consciously aware and open. “I just respond to the marks, because it’s the experience of painting that drives the painting.” Knowing that nothing is scripted opens the door to tolerance for “accidents” that happen during the painting process. For Lina, these unexpected happenings in the creative process preempt any preconceived ideas. Each one shows her the possibility of going in a different direction, a road less traveled perhaps. American contemporary painter Helen Frankenthaler summed it up saying, “You have to know how to use the accident, how to recognize it, how to control it, or ways to eliminate it so that the whole surface looks complete and born all at once.”
Read moreMcCain McMurray: Stained Paintings
Think about diving into the waters of the Caribbean. Imagine feeling the sensations of being under and in the water off St. Bart’s, St. Johns or Martinique. Cooling blues and greens float with muted reds, yellows or oranges. Then visit the newest paintings by McCain McMurray in his solo exhibit Immersion at Touchstone Gallery during the month of July. You’ll see slices of the Caribbean in his long vertical paintings—painted essays defining the essence of this watery space and the experience of exploring life in it.
Read moreLinda Bankerd: A Delicate Balance
Riding a bike the way Linda does takes a lot of exertion. That she burns calories as she whizzes through the landscape there is no doubt. But what she gains is more subtle. Forms blur their way into her brain, are stored there and often make an appearance in her abstract paintings. Likewise everyday colorful home objects and special rooms in the interior of her home, also penetrate her psyche and accumulate there until called upon when she faces a new blank canvas. With brush in hand and acrylic paints at the ready, those stockpiled sensations emerge and turn into colorful complex shapes and forms.
Read moreTouchstone Gallery Celebrates Its 40th Anniversary!
It’s 2016 and Touchstone Gallery is in a celebratory mood! Being one of the longest-tenured and most highly regarded artist-owned galleries in Washington, DC, Touchstone will celebrate its 40th year in Washington on May 13th with an Anniversary Gala and a May 4-29 member artists show, featuring solo artists, Paula Lantz and Colleen Sabo, and works by present and former members. The gala and show are open to the public.
Read moreThe Abstract Icons of Paula Lantz
Paula Lantz always watches people as she goes about her day--in a restaurant, on the Metro, in a park or grocery store. Or at the mall. These folks aren’t doing much; just going about the business of living, but Paula wonders what each one is thinking or feeling, and makes a mental note of her guesses.
Read moreColleen Sabo: Playing Favorites with Oil
In her May 2016 Touchstone Gallery solo exhibition, A Few of My Favorite Things, Colleen Sabo introduces her new body of work in oils. Long a color painter in water media, Colleen shifted her focus to oil several years ago and has not looked back since.
Read moreRosemary Luckett: Uncovering Nature’s Dream and Us
Rosemary Luckett has come full circle this April in her Touchstone solo exhibition Earth House. She continues with a circle of life theme that she started in a Round River series some years ago, probing relationships between the earth, its living creatures and humankind. Through images of the seen, she points to - hints at - what is often unseen. "The apparent visible and the hidden visible... in nature are never separated," wrote Magritte, an artist she admires. The fun in looking at her works is to discover both visible and related hidden.
Read moreRob Goebel: Painting Symbolic Reality
For Rob Goebel soccer, swimming and tennis were the sports that filled his young life. Maybe it had something to do with living in Toms River, New Jersey. The beach was nearby and surfing with friends a fun pastime. By the time Rob was a senior in high school his swim team ranked in the top 10 in the state. While some TV specials, like HBO's Boardwalk Empire, were filmed here, the town of fewer than 100,00 friendly folks was rated one of the safest small cities in the nation in 2006 and 2007. Add to the beach life an annual Halloween parade touted to be the second-largest in the world, and you have a genial place in which to grow up.
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